The 90s Black Movies That Became Instant Classics

Watching a Classic Black Movie

90s black movies can easily be described as the golden age of black cinema, as this decade witnessed the emergence of several groundbreaking films that tackled critical social issues and showcased the immense talent of black actors, actresses, directors, and writers.  

From thought-provoking dramas to hilarious comedies, 90s black movies form a powerful collection of entertaining and influential movies that have defined a generation, resonate with audiences today, and will continue to influence future generations.

We’re listing the top 10 90s black movies that became instant classics. Join us as we celebrate these films’ lasting impact and ongoing cultural relevance through their most iconic scenes and well-known quotes. Read on to relive these blockbuster films, and then take to social media to share your favorite 90s movies and moments.

“Boyz n the Hood”

Released in 1991 with an all-star cast including Cuba Gooding Jr., Ice Cube, Morris Chestnut, Laurence Fishburne, and Angela Bassett, “Boyz n the Hood” revolves around the lives of three young black men growing up in South Central Los Angeles and the challenges they face with violence, drugs, and poverty.

John Singleton became the youngest person and the first African American to be nominated for an Academy Award for Best Director for this portrayal of the black experience in urban communities during the 1980s and early 1990s and the systemic issues of gang violence, racial profiling, and limited opportunities.

Arguably one of the most influential 90s black movies, the film includes unforgettable quotes that still hold true today, like when Furious Styles imparts wisdom to Tre, emphasizing the value of knowledge and self-improvement with the line, “Never respect anybody who doesn’t respect you back.”

“Love Jones”

This critically acclaimed black romantic drama film released in 1997 showcased a refreshing and authentic portrayal of black love and relationships during the 1990s. In his directorial debut, Theodore Witcher broke ground by exploring the struggles, aspirations, and creativity of black artists and intellectuals in Chicago.

Witcher’s screenplay excellently captured the essence of modern black love, with outstanding performances from its talented cast members, including Larenz Tate as Darius Lovehall and Nia Long as Nina Mosley. Also, the movie’s soundtrack, featuring renowned artists like Lauryn Hill, Maxwell, and Dionne Farris, helped elevate it to one of the decade’s best films.

“Love Jones” has one of the most iconic scenes of 90s black movies, and perhaps of all time, the “Brother to the Night (A Blues for Nina)” scene in which Darius Lovehall performs a spoken-word poem dedicated to Nina and soulfully captures his longing for her.  

“Waiting to Exhale”

A critical and commercial success upon its release in 1995, “Waiting to Exhale” follows the lives of four African-American women, played by the talented cast of Angela Bassett, Whitney Houston, Loretta Devine, and Lela Rochon, living in Phoenix, Arizona.

The film, directed by Forest Whitaker and based on Terry McMillan’s bestselling novel of the same name, explores each woman’s challenges and experiences with love, relationships, and finding fulfillment in a society that often overlooks black women. Fortunately, they find strength in their friendship and support each other in their quest for happiness and contentment.

Several scenes from “Waiting to Exhale” have become iconic, but none more so than when Angela Bassett’s character, Bernadine, takes revenge on her cheating husband by setting his car on fire.

“House Party”

This 1990 black teen comedy film follows the misadventures of a high school student who throws a house party while his strict father is away. Starring as themselves, Christopher “Kid” Reid and Christopher “Play” Martin, known as the popular 90s hip-hop duo Kid ‘n Play, try to navigate the challenges of adolescence, romance, and unexpected party crashes.

As one of the first major black-directed films to gain mainstream success at the beginning of the decade, “House Party” resonated with audiences for its energetic and authentic depiction of youth hip-hop and dance culture in the 90s.

One of the most memorable scenes in “House Party” is when Kid and Play engage in a dance battle at the party, featuring their signature dance moves, including the infamous “Kid ‘n Play Kickstep.”  

“New Jack City”

Directed by Mario Van Peebles, this 1991 American crime film follows the rise and fall of New York City drug lord Nino Brown, played by Wesley Snipes, who builds a drug empire in an apartment complex turned crack house, the Carter. Detective Scotty Appleton, played by Ice-T, and his team set out to dismantle Nino’s operation and bring him to justice.

Its realistic portrayal of the crack epidemic that plagued many American cities in the late 1980s and early 1990s, its themes of power, corruption, and redemption, and its stellar cast, including Chris Rock’s first major film role, helped make this 90s black movie a classic.

In one notable scene, Nino Brown addresses a gathering in the aftermath of the destruction of the Carter and proclaims the iconic line, “sit yo’ five dollar ass down before I make change.”  


Two best friends, Craig and Smokey spend their Friday in South Central Los Angeles getting caught up in a series of misadventures in this black comedy film released in 1995.

As one of the few movies of its time to capture the struggles and sense of community within the black neighborhood with humor, it’s no wonder the movie gained instant success at the box office and continues in popularity as a cult classic. It showcased the comedic talents of Ice Cube and Chris Tucker, launching Tucker’s career and solidifying Ice Cube’s transition from music to acting.

The often-used catchphrase, “Bye, Felisha,” originated from “Friday” and is still frequently referenced today in various contexts. In the film, Smokey dismissively responds to a neighbor named Felisha with this memorable line.

“Malcolm X”

Released in 1992 and directed by Spike Lee, this epic film, based on his autobiography, chronicles the life and transformation of African-American civil rights leader Malcolm X. It spans his early years as a criminal through his rise as a prominent figure in the Nation of Islam and his assassination in 1965.

Focusing on the life of one of the most influential figures in the civil rights movement, it features Denzel Washington, who earned an Oscar nomination, and talented actors, such as Angela Bassett, Delroy Lindo, Al Freeman Jr., and Spike Lee himself.

One of the most famous lines from the film occurs during Malcolm X’s speech when he proclaims, “We didn’t land on Plymouth Rock. Plymouth Rock landed on us!” This line encapsulates the film’s underlying message of racial inequality, highlighting the oppression faced by African Americans throughout history.


Marcus Graham, played by Eddie Murphy, is a successful Black advertising executive known for his womanizing ways in New York City. However, when his new boss, Jacqueline, becomes his romantic interest, Marcus experiences a role reversal as he becomes the pursued rather than the pursuer as he’s falling in love with a different woman.

Released in 1992, “Boomerang” features an all-star cast of Eddie Murphy, Robin Givens, Halle Berry, Martin Lawrence, David Alan Grier, and Grace Jones. Halle Berry, as Angela, delivers one of the movie’s best lines to Marcus, “Love should have brought your ass home last night.”

“Boomerang” was one of the few mainstream movies that focused on black characters in a romantic comedy and boasted one of the largest budgets for a black film in the 90s.  

“Menace II Society”

This coming-of-age crime movie tells the story of a Caine, who is growing up in the violent, drug-infested Watts neighborhood of Los Angeles.

Released in 1993, the film received critical acclaim for its gritty realism and portrayal of urban violence. Its raw depiction of the harsh realities faced by young African Americans in marginalized communities comes through in many of its lines, including this powerful statement from Caine. “Went into the store just to get a beer. Came out an accessory to murder and armed robbery. It’s funny like that in the hood sometimes.”

“Menace II Society” features a notable cast that includes Tyrin Turner as Caine, Jada Pinkett Smith as Ronnie, Larenz Tate as O-Dog, and Samuel L. Jackson as Caine’s father.

“Poetic Justice”

A 1993 black movie directed by John Singleton follows the story of Justice, played by Janet Jackson, a young poet and hairdresser dealing with the recent loss of her boyfriend in a tragic shooting incident. Justice, accompanied by her best friend Iesha, played by Regina King, goes on a road trip from South Central Los Angeles to Oakland, California, to attend a poetry contest. Along the way, they meet Lucky, played by Tupac Shakur,  a postal worker and aspiring musician, who joins them on their journey.

The film portrays black love and relationships, showcasing the talent of black artists as it tackles important themes such as grief, resilience, and self-discovery. Justice’s poetry takes center stage with powerful lines like “I’m a phenomenal woman, phenomenally. Phenomenal woman, that’s me.”

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